#COMPTON MENACE

[tha-wrecka-stow]

[djevilninja]

Noochie's Live From The Front Porch Presents: MC EIHT

*gyeah!

[lets-steal-an-archive]

Screenplays (so far):

Sergeant Rutledge (1960)

In the Heat of the Night (1967)

Sweet Sweetback's Baadasssss Song (1971)

Shaft (1971)

Blacula (1972)

Cooley High (1975)

Car Wash (1976)

The Color Purple (1985)

She's Gotta Have It (1986)

Disorderlies (1987)

Coming to America (1988)

School Daze (1988)

Do the Right Thing (1989)

Harlem Nights (1989)

House Party (1990)

Mo' Better Blues (1990)

To Sleep With Anger (1990)

Boyz n the Hood (1991)

The Five Heartbeats (1991)

House Party II (1991)

Jungle Fever (1991)

New Jack City (1991)

Boomerang (1992)

Candyman (1992)

Malcolm X (1992)

Sister Act (1992)

Menace II Society (1993)

Poetic Justice (1993)

What's Love Got to Do With It (1993)

Blankman (1994)

CB4 (1994)

Crooklyn (1994)

Jason's Lyric (1994)

Low Down Dirty Shame (1994)

Bad Boys (1995)

Clockers (1995)

Dead Presidents (1995)

Devil in a Blue Dress (1995)

Friday (1995)

Higher Learning (1995)

Tales From the Crypt: Demon Knight (1995)

Vampire in Brooklyn (1995)

Waiting to Exhale (1995)

Get on the Bus (1996)

Girl 6 (1996)

Set It Off (1996)

The Nutty Professor (1996)

A Thin Line Between Love and Hate (1996)

The Preacher's Wife (1996)

The Watermelon Woman (1996)

B.A.P.S. (1997)

Booty Call (1997)

Eve's Bayou (1997)

Love Jones (1997)

Miss Evers' Boys (1997)

Soul Food (1997)

Belly (1998)

Beloved (1998)

He Got Game (1998)

How Stella Got Her Groove Back (1998)

Players' Club (1998)

Slam (1998)

The Best Man (1999)

Life (1999)

Love & Basketball (2000)

Baby Boy (2001)

Training Day (2001)

25th Hour (2002)

Barbershop (2002)

Brother to Brother (2004)

D.E.B.S. (2004)

Beauty Shop (2005)

Inside Man (2006)

I Think I Love My Wife (2007)

Notorious (2009)

Precious (2009)

The Book of Eli (2010)

For Colored Girls (2010)

Pariah (2011)

Middle of Nowhere (2012)

Sparkle (2012)

12 Years a Slave (2013)

Belle (2013)

Dear White People (2014)

Fruitvale Station (2014)

Selma (2014)

Bessie (2015)

Creed (2015)

Dope (2015)

Miles Ahead (2015)

Straight Outta Compton (2015)

Birth of a Nation (2016)

Fences (2016)

Hidden Figures (2016)

Moonlight (2016)

Detroit (2017)

Get Out (2017)

Girls Trip (2017)

Mudbound (2017)

BlacKkKlansman (2018)

Black Panther (2018)

Creed II (2018)

The First Purge (2018)

The Hate U Give (2018)

If Beale Street Could Talk (2018)

Sorry to Bother You (2018)

Spider-Man: Into the Spider-Verse (2018)

Widows (2018)

Harriet (2019)

Queen & Slim (2019)

Us (2019)

Da 5 Bloods (2020)

The Forty-Year-Old Version (2020)

His House (2020)

Ma Rainey's Black Bottom (2020)

One Night In Miami (2020)

Small Axe: Mangrove (2020)

Sylvie's Love (2020)

Candyman (2021)

Judas and the Black Messiah (2021)

The Harder They Fall (2021)

King Richard (2021)

Passing (2021)

The United States vs. Billie Holiday (2021)

Zola (2021)

Black Panther: Wakanda Forever (2022)

Master (2022)

Nanny (2022)

Nope (2022)

Till (2022)

The Woman King (2022)

American Fiction (2023)

The Color Purple (2023)

Creed III (2023)

Origin (2023)

Rustin (2023)

Rye Lane (2023)

Spider-Man: Across the Spider-Verse (2023)

They Cloned Tyrone (2023)

Nickel Boys (2024)

The Piano Lesson (2024)

[mjonthetrack]

Before anyone could take another breath, she spun around and shoved her oversized designer purse into Roman’s broad chest with a thud that made him grunt.

“Aight, Fabio, go get my shit out the trunk,” she said, barely looking at him. “And don’t be nosey ‘bout that gas can and them ropes—I brought that in case this shit was twisted. Gotta stay ready.”

Roman looked down at the bag like it had just bit him. “Who the hell is Fabio?”

She was already stomping toward Josh, ignoring him.

Josh, still holding the baby, raised a brow but said nothing as the little girl reached her arms out—clearly vibing with her auntie’s chaos like it was a lullaby.

“There go my fat-necked princess,” she cooed, snatching the baby from his arms like she’d been waiting her whole life for that moment. “Yeah, you love this crazy ass auntie energy, huh? Imani been tryna make you soft.”

Baby girl let out a wild, wheezy laugh and clapped her hands, one chubby fist smacking her auntie in the cheek.

Josh stood there blinking, caught between being offended and impressed.

That’s when the boys all reacted at once.

Solo leaned in to Jimmy, whispering low but loud enough, “Yo, who the hell is that?”

Jimmy just whistled and said, “I don’t know, but she scares me.”

Jacob was doubled over already, laughing like it was the funniest thing he’d seen since cable went out. “She said gas and ropes. Bro. What kind of welcome home package is that?!”

Roman still hadn’t moved. He just stood there, purse in hand, muttering under his breath, “What in the hell just walked into my house?”

Tasha came out the screen door, spotted her homegirl, and lit up. “Ayyyye—bitch, you made it!”

“Damn right I did,” she hollered back, bouncing the baby on her hip, completely in her element. “I had to. My baby cousin out here in the damn woods raising a family like she ain’t from Memphis. She talkin’ ‘bout she found love—I said lemme make sure he still breathin’.”

Josh smirked, arms crossed now, watching her hold his daughter like she’d been there since day one.

Imani sighed, rubbing her temples with one hand and pointing at the house with the other. “Y’all go get her room ready. This gon’ be a long-ass week.”

——

Ebony was leaned back at the kitchen table like she paid rent and set rules. Long acrylics tapping against a cold glass of sweet tea, a baby on her lap chewing on one of her knuckles, unbothered by the chaos of introductions that had come before. She had her hair in those glossy, razor-sharp finger waves, and her lashes were damn near brushing her cheekbones every time she blinked.

Tasha sat across from her, peeled fruit in a bowl between them, peeling back the years like they hadn’t missed a beat.

“So how’s Compton been?” Tasha asked, cocking her head while passing the baby a banana slice. “And how’s life been since you got out, you know… the vacation?”

Ebony cracked up. “Girl, lemme tell you. Compton still Compton, but it’s watered down. These lil’ ones don’t got no code no more. Running they mouths online and dry snitching in music videos. That ain’t how we used to do it.”

Tasha laughed, “Right! Back in the day, you had to earn a name, now they just get beat up on live.”

“And don’t get me started.” Ebony kissed the baby’s temple before casually letting it drop: “Life since I got out? Quiet, for the most part. After that five bid for manslaughter and aggravated assault, I been chillin’. On parole. Still got the ankle monitor tan line.”

Tasha choked on her water. “Girl—not the tan line!”

Meanwhile, in the living room, the guys sat on couches and armrests, beers in hand, trying not to make eye contact as the words five bid, manslaughter, and parole drifted through the house like secondhand smoke.

Imani was pacing with her hands up like she was trying to ward off spirits.

“Okay—before y’all say anything—yes, she’s… a lot.”

“A lot?!” Roman said with wide eyes, arms stretched across the back of the couch. “She came in like a deleted scene from Menace II Society. Told me to get her purse and warned me about rope and gas cans.”

“She said she brought it just in case,” Solo added, serious. “Just in case what?! The apocalypse?!”

Jacob shook his head, snickering. “Nah, I like her. She thuggin’. And baby girl love her already.”

Josh hadn’t said a word, just sitting in the armchair, arms folded tight. His jaw twitched.

Imani finally exhaled and sat next to him. “That’s my older cousin, y’all. Mama’s side. Her name Ebony. She raised hell so I ain’t have to.”

Josh squinted at her. “That’s the cousin who flipped a table at a funeral?”

“Yes,” she sighed. “Yes, it is.”

They all turned their heads when Ebony’s voice rang out from the kitchen, loud and clear:

“AND I��D DO IT AGAIN! Don’t speak on nobody while they in the damn casket if you wasn’t sayin’ it while they was alive!”

Tasha: “And that’s on everything.”

———

Solo was leaned low in his seat, beer halfway to his mouth, brows scrunched in quiet confusion as Ebony’s voice carried from the kitchen—sharp, unfiltered, and full of lived experience.

He muttered under his breath, just loud enough for the room, “She don’t even look like the prison type…”

Imani, sitting on the edge of the armrest beside Josh, gave him a quick side-eye and tried to quietly explain before her cousin caught wind. “She wasn’t raised with me in Memphis, that’s Mama’s side. Ebony grew up in Compton. Like... real Compton. Her life was different. Had to be different.”

But it was too late.

Ebony’s laugh rang out from the kitchen, a sharp “Ha!” that cut through the house like a knife dipped in hot sauce. Her acrylics clicked against the glass as she stood up with baby girl still in her arms.

“Don’t look like the prison type? Boy, lemme help you understand,” she said, stepping into the archway between the kitchen and the living room, hips swinging, baby on her hip like a prop in a hood goddess origin story.

“I caught them charges ‘cause I did exactly what I said I was gon’ do. Didn’t stutter in court, neither. Somebody put hands on my best friend—a man, mind you—so I put him through three walls and a windshield. Self-defense didn’t stick ‘cause I meant it.”

She kissed baby girl’s cheek and smiled like she’d just shared a casserole recipe.

“Aggravated assault, manslaughter. Five years. Ain’t no shame in my time—just know, I did what needed doing.”

The room went dead silent. Roman blinked like he had to reboot. Jacob mouthed damn to himself. Josh… tried to keep a straight face but failed, a smirk creeping in.

Imani groaned and dragged a hand over her face. “Ebony, can you—not lead with trauma today?”

Ebony smirked. “Ain’t trauma if I’m at peace with it, sugar. Now where y’all keep the tequila? Mama needs a pour before she puts this one down for a nap.”

Josh finally let out a laugh, standing to follow her to the kitchen. “You tryna drink before 3PM?”

Ebony smirked without missing a beat. “Boy I just met you and you already asking the right questions.”

———

The sliding glass door creaked open just enough for Ebony’s voice to slip through like smoke before she even lit up.

“Imani. Outside. Now. And bring ya damn self, not that church-lady smile you keep puttin’ on for these boys.”

The whole living room turned their heads as Imani sighed, knowing exactly what time it was. She muttered under her breath, “Lord, here she go…” but she didn’t hesitate. Tasha grabbed her own glass and followed, grinning like she already knew the vibe.

They stepped onto the front porch just as the late afternoon light settled over the compound like a slow blessing. Ebony was already posted in one of the worn rocking chairs, one thigh propped up, lighter flicked, and that good good curling up in the air before Imani even got the door fully closed.

The scent hit the inside like a wave—not what the house was used to—and back in the living room you could hear Jacob chuckling, “Ain’t no way she brought Cali air with her.”

Josh peeked out the blinds but thought better of stepping into that conversation. Solo whispered, “Somebody better go get the baby before she get a contact high,” and Roman just shook his head with a grin, “Nah, let ‘em talk. That’s kin workin’ out history.”

On the porch, Ebony exhaled slow and leaned back, her gaze sharp but soft around the edges as she looked at Imani.

“Alright. Talk to me. What’s really good, baby girl?”

Imani tried to front—arms folded, eyes on the horizon—but Ebony saw through it.

“You pregnant, engaged, living out here in damn near Wakanda woods, and I still ain’t heard how you been really. Don’t play with me.”

Tasha sipped slow, staying quiet but present.

Imani finally exhaled. “I been… tryna figure it out. Been holding it down out here. Shit wasn’t always easy, you know that. But I got my feet under me now. Got somebody who see me for real. Got family.”

Ebony nodded slow, puffing again. “Mmhmm. And you happy?”

Imani looked at her, eyes glinting with something that was both soft and steel. “I’m finally learning how to be.”

Ebony leaned forward, tapped ash off the porch rail, and looked her dead in the eye. “Then I’m proud of you, Imani Love. You made it out of what we came from, and you didn’t fold. That’s more than most. Don’t let nobody make you feel like you gotta apologize for finding peace.”

Imani didn’t say anything, but her eyes shimmered. Tasha quietly reached out and squeezed her hand.

Ebony leaned back, smirking as she took another drag. “Now go back in there and tell them boys they better treat you like royalty or they gon’ have a real Compton problem on they hands.”

————

The porch was slow-swaying, low-talking, and thick with the scent of Ebony’s rolled-up “West Coast wellness”, as she called it. Freddie Gibbs played low from her phone sitting in the cupholder of her chair—grimy, soul-sample looped, pure Compton grit. The kind of music that made the truth easier to say out loud.

She passed the blunt to Tasha without even looking, knowing full well the nurse would take it like she always did when the kids were in bed and the stars came out. They sat there like old heads in young bodies, legs crossed and comfortable, shoulders loose from the weight they both usually carried tight.

“Yo, Tash,” Ebony said, dragging slow, “real talk… this what peace feel like? 'Cause I done forgot.”

Tasha took her hit and let it out with a laugh that curled up with the smoke. “Might be. Or maybe it’s just the trees and the breeze and your baby-ass cousin finally having a man who don’t need directions to love her right.”

Ebony smirked, tapping her long nails on the arm of her chair. “Mmhmm. ‘Bout time, too. I was gon’ start sending applications out on her behalf.”

Tasha cackled, shaking her head. “You would.”

Inside the house, Imani held her daughter close, peeking out the window for a second before heading toward the kitchen. Jacob was half-listening to the porch convo through the screen, laughing under his breath.

“Yo,” he whispered to Roman, “Ebony really out there turning the porch into the set of Friday.”

Roman grinned, “Let her cook. That’s family healing.”

Out front, Ebony kicked her feet up on the rail, letting her body sink into the old wood like she belonged there.

“Y’all got somethin’ good here,” she said more quietly. “Don’t let it rot from the inside out. Keep the love loud. Keep the loyalty louder.”

Tasha looked over, surprised at the softness in Ebony’s tone. “You alright, girl?”

Ebony took one last hit before stubbing out what was left in a little glass jar. “I’m better than I been in years.”

And from the door, Josh stepped out, holding a plate stacked with late-night snacks—fruit, leftover mac, and two juice boxes on the side.

“Figured y’all might want somethin’ to hold you over,” he said, lifting the tray.

Ebony grinned wide, “Look at fiancé over here tryna keep his future aunt-in-law from burning down his porch. I see you, Playa.”

Josh chuckled, placing the plate down and easing into the porch swing.

“Long as you see I love her for real,” he said, soft but firm.

Ebony looked him dead in the eye. “I do. Now keep it that way.”

And for the first time since she’d pulled up on full Compton timing, there was silence—peaceful, earned.

[theykilledmydadtournament]

Submissions list

Please let me know if there are any spelling mistakes so I can fix them before sorting them into polls!

Yuugo (The Promised Neverland)

Ned Stark (Game of Thrones) II

Quentin Lance (Arrow (CW))

Darth Vader (Star Wars)

Minato (Naruto)

Henry Allen (The Flash (CW))

Jonathan Kent (Smallville (tv)) I

Nate Ford (Leverage (tv franchise))

Richard Gilmore (Gilmore Girls (tv franchise))

Angelo Sorento (Switched at Birth (tv))

Mufasa (the Lion King) II

Jack Pearson (This is Us)

James (the Princess and the Frog)

King Agnarr (Frozen)

Stoic the Vast/Stoick the Vast (How to Train Your Dragon franchise) I

Lee Abott (A Quiet Place)

Iron Man/Tony Stark (MCU) IIII

Solomon Lauter (Nerdy Prudes Must Die)

Ben (Barnyard)

George Washington (Hamilton (the stage musical))

Silco (Arcane)

lt col Henry Blake (M*A*S*H)

Qui-Gon Jinn (SW: The Phantom Menace)

Captain Max Howard (Astral Chain)

Matthew Cuthbert (Anne of Green Gables)

Bobby Nash (9-1-1) IIIII IIII

Bobby Singer (Supernatural) IIIII

Newt (The Maze Runner by James Dashner)

Lee Scoresby (His Dark Materials by Philip Pullman)

yukichi fukuzawa (bungo stray dogs!!)

Maes Hughes (Fullmetal Alchemist Brotherhood) I

Uncle Ben Parker (Marvel's Spiderman)

Jeralt (Fire Emblem: Three Houses) II

Lucien (The Jewel Series by Amy Ewing)

Optimus Prime (Transformers (G1)) I

Tom (he doesn't have a last name idk) (One Piece)

Joel Miller (The last of us) IIII

Edward Newgate (AKA Whitebeard) (One Piece) III

Vandham (Xenoblade Chronicles 2)

Thors Snorresson (Vinland Saga) I

Donquixote Rosinante (One Piece) IIIII I

Arthur Lestor (Malevolent (podcast))

keith scott (one tree hill)

mitch leery (dawson's creek)

fred andrews (riverdale)

paul hennessy (8 simple rules)

bill compton (true blood)

opie winston (sons of anarchy)

Lee Everett (Telltale’s The Walking Dead) I

Sir Pentious (Hazbin Hotel) I

Monk Gyatso (Avatar the Last Airbender) I

Vesemir (The Witcher 3: Wild Hunt (specifically this video game, not the books or show))

Richard "Pubba" Fox (Sweet Tooth)

Kunishige Rokuhira (Kagurabachi)

Gill (Wings of Fire)

gojou satoru/Satoru Gojou (jujutsu kaisen) I

getou suguru (jujutsu kaisen)

Sigurd (Fire Emblem: Genealogy of the Holy War)

Gregory Edgeworth (Ace Attorney franchise)

Oda Sakunosuke (Bungou Stray Dogs)

Nanami Kento (Jujutsu Kaisen)

David Anderson (Mass Effect Trilogy) I

King Vegeta (Dragon Ball (Z/Super))

Agent Coulson (Agents of Shield)

Dean Winchester (Supernatural)

Jason Gideon (Criminal Minds)

Ethan Winters (Resident Evil 7 and 8)

Harry Mason (Silent Hill 1 and 3)

Otto Octavius (Spider-Man 2)

Sivasubramanian Chandrasegarampillai (Dr. Chandra) (Space odyssey (the tag is #2001 a space odyssey, or #2001 aso)) I

Hank Anderson (Detroit: Become Human)

Artis Artesian (Trials & Trebuchets)

Obi Wan Kenobi (Star Wars)

Agent North Dakota (Red vs Blue)

Seok-Woo (Train to Busan)

Denji's Father (Chainsaw Man)

David Ashur (Of the Devil)

Odin Borson, king of Asgard (Thor movies)

Neal Cassidy (Once Upon A Time)

Rumplestiltskin (Once Upon A Time)

Whizzer Brown (Falsettos musical)

Atul (Spiritfarer)

Captain James "Jim" Boyd (Anne's House of Dreams)

Uncle Monty (A Series of Unfortunate Events)

[hotvintagepoll]

Ernest Thesiger—who could forget him camping up the screen as doctor pretorius in bride of frankenstein??? a few years before that legendary role he also appeared as the haughty horace femm in the old dark house, creating another memorable weirdo in another witty horror classic from his friend james whale. thesiger was a seasoned theater actor renowned for his comic abilities who moved in many literary and artistic circles, where he was a notorious eccentric and wit and is said to have made no particular secret of his queerness, and his friends included george bernard shaw, john sargent sargent, somerset maugham, radclyffe hall, and ivy compton-burnett, several of whom based fictional characters on him or wrote parts specifically for him (also if anyone here happens to know the gormenghast books, mervyn peake loosely based doctor prunesquallor on him). when he wasn't acting he occupied himself with many artistic endeavors and was particularly expert at petit point embroidery, exhibiting his work internationally and publishing a book on embroidery; he was also skilled at painting, knitting, crochet, lacelace-making, beadwork, costume and jewelry design, and probably more. his screen appearances are always delightful and i just can't imagine a world where we didn't have his signature flamboyant, comic, and menacing gaunt weirdos enriching cinema (supposedly the studio wanted claude rains for pretorius which would have been a wildly different vibe), so give it up for my man ernest.

ZaSu Pitts (Greed, The Bad Sister, Shopworn, Dames, It's A Mad, Mad, Mad, Mad World)—The vocal inspiration for Olive Oyl in the Popeye cartoons! ZaSu Pitts started out doing a variety of roles during the silent era, but audiences couldn't take her seriously after the advent of sound, to the extent that preview audiences laughed at her dramatic performance in All Quiet on the Western Front and the role had to be recast. Her doleful eyes, fretful handwringing and quavery voice brought interest to what might otherwise have been forgettable supporting roles, often as flighty spinster types, and it's that wonderfully cartoonish voice and pathetic demeanour that give her true scrungle quality.

This is round 1 of the contest. All other polls in this bracket can be found here. If you're confused on what a scrungle is, or any of the rules of the contest, click here.

[additional submitted propaganda + scrungly videos under the cut]

Ernest Thesiger:

He just... has the right vibes. He's so eccentric, but he has so much scrungle that goes with that. I don't think he's ever played a "normal" character in his life!

He's the OG queercoded villain to me. He often plays mad scientists or morally dubious eccentrics, so he's got the perfect scrungly combo of being physically non-intimidating and arch yet vaguely threatening in his presentation and behaviour. He is extremely camp.

Just look at him. He looks like a cat became human

ZaSu Pitts:

2:15-5:23 in the film below [editor's note: I haven't watched the whole film, so no content warnings if you choose to watch all of it.]

[variousqueerthings]

we have always been here: documentaries about trans people

documentaries about trans people, starting in the year 1953. I don't speak to filmic quality or whether or not something is problematic, what matters here is simply the testimony and the stamp of existence (including in those where the subject matter is spoken about, rather than getting to speak for themselves)

(I haven't seen every one of these yet, so some of them have slightly shorter texts to go along with them)

while (as you'll see) most of these are US-based movies, they are from all over the world. I'd be curious about whether there are any focused specifically on the intersection of transness and disability, I don't personally know of any, although of many speak to issues with access to healthcare (for example southern comfort)

all the ones that have links connected to them are watchable for free

some of these can be watched for free on the archive, youtube, vimeo, many could do with a few coins thrown their way: many of the movies, for example the the aggressives can be rented on vimeo, transgender tuesdays is free on youtube but accepting donations for trans women of colour, lotus sports club is doing festivals currently and is accepting donations to support the team and the vulnerable trans (now men) who have had to leave it to find work, call her ganda is accepting donations to support the family's legal costs in bringing justice for their daughter

remember, finding the stories that have been graciously shared is one thing, supporting our community is the next step

glen or glenda (1953): the first known movie about trans people, a mixed-media semi-fictional account (US)

the queen (1968) (US): following drag-queens at a national beauty pageant two years before stonewall, including footage of crystal labeija (US)

change of sex (1979-1999): a five-part series following trans woman julia grant as she tries to access gender affirming care via the gender identity clinic (UK - available on BBC iplayer)

paris is burning (1990): documenting queer people in the ballroom scene, community, competition, and challenges (US)

shinjuku boys (1995): following five young men who work at onabe bars, which cater to women, as they try to make ends meet (Japan)

transexual menace (1996): snapshots of the melting pot of trans life in new york, from famous faces, to protest, including several immigrants to america from columbia, west africa, japan, hawaii, and germany (Germany/US)

you don't know dick: courageous hearts of transsexual men (1997): about several trans men in different walks of life, who chat about their experiences, politics, and history (US)

the brandon teena story (1998): a documentation about the murder of brandon teena, using testimonies from the people involved (US)

southern comfort (2001): follows robert eads in the final year of his life, before he died of initially treatable ovarian cancer (US)

superstar in a housedress: the life and legend of jackie curtis (2004): a portrait of jackie curtis, one of the earliest punk pioneers, by (mainly cis) people who knew her (US)

screaming queens: the riot at compton’s cafeteria (2005): a rare documentary of the time featuring the voices of trans activists, about the pre-stonewall compton's cafeteria riot (US)

beautiful darling (2005): a portrait of candy darling (one of the trans woman superstars of the 60s) from the perspective of the (mainly cis) people who knew her (US)

the aggressives (2005): centered on black studs, mascs, and trans men, and more, exploring the term "aggressives," race and gender, filmed over five years (US)

Jayne County: man enough to be a woman (2005): a performance by veteran punk musician Jayne County and her band (UK/US) (excerpt)

beautiful daughters (2006): following a group of trans women who performed the vagina monologues in 2005 (US)

still black: a portrait of black transmen (2008): a series of interviews following black trans men speaking about their lives, careers, race, and gender (US)

the advocate for fagdom (2011): a series of political testimonies by queer activists, including the punk musician vaginal davis (US)

she said boom: the story of fifth column (2012): a documentary about seminal 1980s queercore punkband fifth column (Canada)

TRANS (2012): following a series of trans people at varying places in their transition, and the people around them (US)

hide & seek (2013): a group of trans people in pakistan speak about their experiences with the language they have access to (Pakistan)

before the last curtain falls (2014): transexuals and drag queens in their 60s-70s touring a show called "gardenias" (Germany)

mala mala (2014): following a number of trans people in puerto rico from all walks of life (Puerto Rico)

queercore: how to punk a revolution (2017): a primer to the history of queercore with interviews of some of the people who created the scene (US)

laerte-se (2017): a portrait of the underrated visual artist laerte (Brazil)

a year in transition (2018): 20 year old arab-american trans man documents one year of going on hormones (US)

call her ganda (2018): the story about the murder of a trans filipino woman named ganda by a us marine and the repercussions (Philippines)

indianara (2019): indianara is an activist fighting for trans survival and rights in brazil (Brazil)

disclosure (2020): going through a history of trans representation in the media (US)

transgender tuesdays (2020): featuring trans people talking about a groundbreaking gender-affirming clinic that opened in the 90s in the san franciscan tenderloin district (US)

prayers for sweet waters (2021): three trans sex-workers who live in cape town discuss their experience during covid (South Africa)

the end of wonderland (2021): follows erotic photographer tara emory as she goes through changes in her life (US)

travesía travesti (2021): the last performance of a cabaret during the chilean revolt of 2019 (Chile)

casa susanna (2022): documentary about the 50s summer retreat for male crossdressers and trans women (US)

la vida es un carnaval (2022): in a rural town, a group of trans women plan the first gay pride during its annual carnival and a bunch of scar tissue comes up (Mexico)

this is not me (2022): two young transmen in iran with supportive families share their daily lives (Iran)

lotus sports club (2022): a football club in cambodia run by trans man pa vann and a safe space for trans boys and lesbians (Cambodia)

nel mio nome (2022): four italian transmen share their thoughts, experiences, and identities (Italy)

the dads (2023): a group of dads of trans kids meet with the father of matthew shepard for a fishing trip (US)

kokomo city (2023): intra-community, celebratory documentary centering black trans sex-workers in america (US)

[trapangeles]

Avenue Champp Links Up With YS for “Vigilantes” — A West Coast Warning Shot

Los Angeles continues to produce raw, street-certified heat, and Avenue Champp just delivered a powerful one with his latest drop, “Vigilantes (Meet The Whoops)” featuring YS. The record premiered on March 7, 2025, and it's already clocking views and respect for its authentic energy, aggressive delivery, and street-coded lyricism.

Shot and directed by WTF NON STOP, the visuals match the gritty energy of the track. Dark tones, intense pacing, and street-level cinematography showcase the duo’s presence and paint a clear picture: this ain’t for play. It’s for the ones really outside.

Avenue Champp, who’s been steadily building momentum in the L.A. rap circuit, brings his signature delivery to the record — commanding, confident, and razor-sharp. Meanwhile, YS, known for repping Compton and making noise with the Meet The Whoops movement, complements the record perfectly with his bar-for-bar menace.

Backed by top-tier production from a trio of hitters — Callmejohnny, HeyTaewon, and Armani Depaul — the beat bangs with haunting melodies and drums that hit like warnings. The track was expertly mixed and mastered by Phaded J of Phaded Productions, ensuring every verse cuts through.

This release also comes through the Active Shooters Music Group camp, which continues to push consistent, quality content that reflects real life and real talent.

If you're tapped into the West Coast indie scene, this is one you don’t want to miss. From the bars to the beat to the visuals — “Vigilantes” is a certified slap.

Follow the team:

🎥 Directed by: @wtfnonstop 🎤 Avenue Champp: Instagram, Spotify, Apple Music: avenue-champp 🎤 YS: Instagram, Spotify, Apple Music: ys 🎶 Active Shooters Music Group: Instagram, Merch

🎹 Produced by: @callmejohnnny x @heytaewon x @armanidepaul 🎛 Mixed by: @phadedj

trapLAXradio On The Air Now!

Like & Listen To Our Spotify Playlist

Have you been spending all your money and time on making music and shooting videos, but still not getting any exposure? Tired of just spinning your wheels? You know to get exposure you need to get featured on blogs, radio stations, playlist, and get your music e-mail blasted out to the masses. Need help getting all that done? Then check out the Package we’ve made available for you below!

The Latest Music, Videos, News, Entertainment……

[raibaru-san]

PUBLICITÉ - RPG A NEW DAY / spin-off The Last of Us

Et si vous plongiez dans un univers post-apocalyptique où chaque choix façonne votre destin ? Rejoignez notre serveur Discord “A NEW DAY” !

Plongez dans un monde où l'univers de The Last of Us prend une nouvelle dimension et explorez les conséquences de cette catastrophe dans un cadre européen, avec des choix qui façonneront votre avenir dans un monde dévasté.

Contexte : “En 2013, le Cordyceps, un champignon infectieux, a déclenché une pandémie mondiale. Ce qui ressemblait à une grippe s’est transformé en un cauchemar sans fin. En 2024, onze ans après l’effondrement de la civilisation, la nature reprend ses droits sur les ruines des villes européennes. Des communautés fortifiées tentent de subsister face aux créatures infectées et à la menace, parfois encore plus grande, des humains eux-mêmes.

Dans ce RPG, vous incarnez un survivant luttant pour sa place dans ce nouvel ordre mondial. Confiance, alliances et trahisons définirons votre chemin dans un monde où chaque rencontre peut être fatale.”

POURQUOI REJOINDRE "A NEW DAY" ?

Lore détaillé et évolutif.

Communauté accueillante pour tous.

Personnages prédéfinis ou inventés.

Avatars internationaux.

Intrigues mêlant survie et drames humains.

Système de gossip pour pimenter les relations.

Choix entre groupe privé ou ouvert.

Parrainage pour les nouveaux joueurs.

Jeux réguliers pour animer la communauté.

Tri chaque trimestre.

Le jeu se situe sur un serveur Discord.

Le RPG sera lancé dès que nous aurons atteint 15 joueurs. Les inscriptions sont déjà ouvertes, et nous comptons actuellement 3 inscrits et 5 réservations.

Vous avez la possibilité de publier une ébauche de votre fiche dans le chat de pré-inscription pour recevoir des conseils, des retours, ou même proposer des idées. C’est également un espace idéal pour échanger et rechercher des liens avant de finaliser votre fiche d’inscription.

Rejoignez l’aventure dès maintenant et écrivez votre histoire ! → https://discord.gg/bDT6b9nR

[cyarskj52]

DJ Quik "Dollaz + Sense" (1994)

Target: MC Eiht

Producer: DJ Quik

Album: Murder Was the Case Soundtrack

Label: Death Row/Interscope

Best Line: "E-I-H-T, now should I continue/Yeah you left out the G, 'cause the G ain't in you"

The battle between Compton, Calif.'s DJ Quik and MC Eiht began in 1991, with each rapper dropping (at least) one diss song toward the other per album. Quik, a Tree Top Piru, and Eiht, a Tragniew Park Crip, weren't set-tripping but rather vying for the top spot in Compton. The wittiest and most cleverly crafted of the saga, was DJ Quik's "Dollaz + Sense," which had a high-profile slot on Death Row's Murder Was the Case Soundtrack.

Quik dismantled Eiht, claiming Eiht was "shaking like a crap game" when the two crossed paths in an airport, and poking fun at his below-average acting skills in Menace II Society. The beef eventually left wax for the streets years later, when an altercation broke out at L.A.'s El Ray Theatre between Quik and Eiht's entourages, during a Quik concert. Although DJ Quik denied involvement in the incident, he discussed the altercation on his popular record, "You'z A Ganxsta," where he also offered an olive branch to Eiht.

[mad-intersex-mermaid]

A Retrospective Review and Analysis of Kendrick Lamar's Meet the Grahams On The May 3rd Anniversary Of Its Release:

(Trigger warning: Drake, discussions of criminal r*pe and s*x trafficking)

Kendrick Lamar's Meet the Grahams -- song review, dissection, analysis and commentary:

Kendrick Lamar needs no introduction.

Whether known by his monikers Kung Fu Kenny or K-Dot, one thing for sure is that Kendrick's compelling storytelling, vivid lyrical imagery, razor sharp technicality in rhymes, metaphors, wordplay, puns, profound commentary and prophetic, commanding voice shines throughout his career and in every single album he puts out.

Now as of the 1 year anniversary of May 3rd, 2024, it can be safe to assume that the new nickname that should be given to Kendrick is the Boogeyman of Compton, as in the midst of his feud with rapper Drake, Kendrick's new song "Meet The Grahams" is...really something else.

And whereas "Euphoria" and "Not Like Us" were also songs throwing disses at Drake, they were still relatively light hearted and comedic in tone (though even "Not Like Us" still veered into disturbing territory with alarming allegations of Drake and his OVO team being criminal s*x t**ffickers).

But Meet The Grahams is something totally different, and shows a side of Kendrick as an MC that equal parts reminds listeners of why he's as highly respected as he is and cements Kendrick as a timeless legend in the world of hip hop.

Yet this also shows both why he's not only to be 𝘳𝘦𝘴𝘱𝘦𝘤𝘵𝘦𝘥 as an artist, a lyricist, an MC and a storyteller, but why he's now to be also 𝘧𝘦𝘢𝘳𝘦𝘥 as an artist, a lyricist, an MC and a storyteller and is not to be messed with.

(Joe Budden even said it best--Drake's name is now an acronym, D.R.A.K.E., for Don't Rap Against Kendrick Ever!)

Meet The Grahams has the disturbing subject matter regarding Drake's history of alleged sexual misconduct (and ultimately a strong anti rape message) of Not Like Us, but none of the comedic light heartedness or upbeat danceclub ready mood of either that song or Euphoria. Rather, Meet The Grahams is like a horror movie in rap form, with said aforementioned horror being rooted in both its raw subject matter and mainly from Kendrick's tone which oozes plain disgust, anger, rage, scorn, outrage, disdain and just plain hatred.

(I mean c'mon, Kendrick's not only accusing Drake of still being a deadbeat daddy that's also hiding a daughter but also of being a s*x t**fficking r*pist, for goodness sakes!)

All of this is set to a backdrop of a horrorcore indebted fusion of West Coast rap and an old school 60s/70s soul sample with an eerie, haunting piano chord and subtle screaming vocals playing insistently in the background that accentuates the song as being more of like a psychological hood horror movie.

Add the disturbing subject matter and Kendrick's tone that drips with hate, and all of that further makes this song truly dark, scary, haunting, menacing, ominous, grim, unsettling and villainous, and almost gothic, in the context of what's being talked about and what's going on.

Plus the level of profound--almost invasive--psychoanalytical depth that Kendrick uses in probing and exposing Drake's fatal flaws and insecurities is done with such a surgically methodical ruthlessness that it, along with that insistent piano chord, is straight up diabolical.

It's something that makes even younger Eminem/Slim Shady from the late 90s and early 2000s look tame in comparison and would probably make the late DMX and the late Tupac Shakur shed a tear in admiration and pride. It's as Shakespearean as it is machiavellian.

And a special shout out is reserved for producer The Alchemist for curating one of the darkest and most villainous melodies and beats in hip hop for this song.

"Meet The Grahams" cements Kendrick as one of the greatest rappers, lyricists, storytellers and MC's of both this generation and of all time, and it ensures he's not going anywhere any time soon and he's not to be played with.

And if Drake or any other rapper even thinks about going toe to toe with Kendrick, now aka Kenny Kruger or the Boogeyman of Compton, I've got one message for them: watch out, say your prayers, write your will and prepare for your funeral.

[cleverhottubmiracle]

Kendrick Lamar is a generational voice whose songs carry weight far beyond the charts. With a career spanning over a decade, he has delivered some of the most impactful, introspective, and genre-defining music in hip-hop history. From his breakout mixtapes to Grammy-winning albums, every Kendrick Lamar project feels like a cultural moment crafted with intention and layered with meaning. Now, as he gears up for his National Grand GNX Tour and continues to dominate 2025 with standout tracks like “Luther” and the viral hit “Not Like Us,” there’s no better time to reflect on the greatest Kendrick Lamar songs of all time. These are the tracks that shaped conversations, challenged systems, and showcased his evolution from Compton prodigy to Pulitzer Prize-winning icon. So, which Kendrick Lamar songs truly define his legacy? It’s no easy feat to narrow down such a rich and transformative discography. Yet, after sifting through the storytelling, the wordplay, the cultural commentary, and the sonic evolution, we’ve compiled a definitive list of the 15 best Kendrick Lamar songs—ranked. Whether you’re a longtime fan who’s memorized every bar or a newcomer curious about why Kendrick Lamar is held in such high regard, this list is your perfect deep dive. From powerful protest anthems to introspective gems and experimental cuts, these tracks capture the essence of an artist who has never been afraid to challenge the status quo—or himself. Here are the top 15 best Kendrick Lamar songs ranked… #15. “Sing About Me (I’m Dying of Thirst)” (2012) Off good kid, m.A.A.d city, this 12-minute opus stands out as one of Kendrick Lamar’s most vulnerable storytelling tracks. It delves into themes of mortality, legacy, and the burden of being the voice of the voiceless. With its layered narrative and minimalistic production, it feels less like a song and more like a short film. #14. “Rigamortis” (2011) Before good kid, m.A.A.d city, Kendrick was already cooking heat. “Rigamortis” is pure technical wizardry—rapid-fire rhymes delivered over jazz-infused horns. More importantly, it proved early on that Kendrick Lamar wasn’t just another new rapper, but a force to be reckoned with. #13. “Ronald Reagan Era (His Evils)” feat. RZA (2011) Here, Kendrick revisits the aftermath of the Reagan years through the lens of Compton’s streets. Moreover, the social commentary runs deep, and his delivery is as gritty as the history it references. It’s easily one of the most politically charged Kendrick Lamar songs to date. #12. “King Kunta” (2015) A funky rebellion from To Pimp a Butterfly, “King Kunta” blends satire, bravado, and racial commentary. Additionally, Kendrick calls out the music industry and asserts his dominance with swagger and style. The beat slaps, and the message hits even harder. #11. “Untitled 05 | 09.21.2014” (2016) From untitled unmastered., this track proves that even Kendrick’s throwaways surpass most artists’ polished singles. With jazzy production and existential musings, it captures the raw, creative chaos of the To Pimp a Butterfly sessions. #10. “m.A.A.d City” feat. MC Eiht (2012) Chaotic, cinematic, and completely unfiltered, this is Kendrick Lamar’s musical diary entry from his days growing up in Compton. It’s full of tension, storytelling, and generational pain. Few Kendrick Lamar songs match this one’s visceral energy. #9. “Euphoria” (2024) One of Kendrick’s latest and most scathing songs, “Euphoria,” delivers sharp, menacing bars in his lyrical feud with Drake. It’s confident and cutting—another reminder that Kendrick’s pen is simply unmatched. #8. “A.D.H.D.” (2011) An early anthem for a lost generation, Kendrick critiques prescription pill culture, emotional detachment, and youthful confusion with a laid-back flow. This track highlighted his unique ability to turn societal issues into introspective, impactful bangers. #7. “Swimming Pools (Drank)” (2012) A haunting dive into alcoholism and peer pressure, wrapped in a club-friendly package, “Swimming Pools” showcases Kendrick’s brilliance in giving mainstream hits real meaning. This track is a perfect example of his ability to balance deep themes with infectious beats. #6. “HUMBLE.” (2017) With its infectious beat and iconic hook, “HUMBLE.” became one of Kendrick Lamar’s biggest commercial hits. But beyond the flex, it’s a cultural statement. From its commentary on beauty standards to its minimalist visuals, the track makes a lasting impact. #5. “Bitch, Don’t Kill My Vibe” (2012) One of the smoothest Kendrick Lamar songs ever made, it’s introspective, spiritual, and dripping with emotion. The track serves as both a personal mantra and a universal mood. #4. “Backseat Freestyle” (2012) Lyrical fireworks, “Backseat Freestyle” showcases Kendrick having fun while demonstrating his versatility and technical mastery. It’s chaotic, wild, and deeply entertaining, with bars that are still quoted years later. #3. “Money Trees” feat. Jay Rock (2012) Chill yet reflective, “Money Trees” remains a fan favorite. The hypnotic beat and standout feature from Jay Rock complement Kendrick’s verse about dreams, crime, and the pursuit of better days. The song masterfully blends poetry with power. #2. “Not Like Us” (2024) The ultimate moment in Kendrick Lamar’s 2024 takeover, “Not Like Us,” is a diss track with anthem-level energy. Produced by DJ Mustard, it’s witty, danceable, and devastating—a rare combo that only Kendrick could pull off so effortlessly. #1. “Alright” (2015) No Kendrick Lamar song has had the cultural resonance of “Alright.” Indeed, it became an anthem for the Black Lives Matter movement and a symbol of hope during protest and pain. From its Pharrell-produced hook to Kendrick’s passionate verses, “Alright” is not just the best Kendrick Lamar song; it’s arguably one of the most important songs of the 21st century. Whether you’re revisiting these tracks or discovering them for the first time, this list captures the essence of Kendrick Lamar’s artistry. His ability to balance commercial appeal with deep storytelling is unparalleled. From Section.80 to Mr. Morale & the Big Steppers, the best Kendrick Lamar songs reflect a legacy that is still unfolding—one unforgettable track at a time. Featured image: Getty Images For the latest in fashion, lifestyle, and culture, follow us on Instagram @StyleRave_ —Read Also !function(f,b,e,v,n,t,s) if(f.fbq)return;n=f.fbq=function()n.callMethod? n.callMethod.apply(n,arguments):n.queue.push(arguments); if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0'; n.queue=[];t=b.createElement(e);t.async=!0; t.src=v;s=b.getElementsByTagName(e)[0]; s.parentNode.insertBefore(t,s)(window, document,'script', ' fbq('init', '496558104568102'); fbq('track', 'PageView'); !function(f,b,e,v,n,t,s)if(f.fbq)return;n=f.fbq=function()n.callMethod? n.callMethod.apply(n,arguments):n.queue.push(arguments);if(!f._fbq)f._fbq=n; n.push=n;n.loaded=!0;n.version='2.0';n.queue=[];t=b.createElement(e);t.async=!0; t.src=v;s=b.getElementsByTagName(e)[0];s.parentNode.insertBefore(t,s)(window, document,'script',' fbq('init', '1453079628754066'); fbq('track', "PageView"); Source link

[norajworld]

Kendrick Lamar is a generational voice whose songs carry weight far beyond the charts. With a career spanning over a decade, he has delivered some of the most impactful, introspective, and genre-defining music in hip-hop history. From his breakout mixtapes to Grammy-winning albums, every Kendrick Lamar project feels like a cultural moment crafted with intention and layered with meaning. Now, as he gears up for his National Grand GNX Tour and continues to dominate 2025 with standout tracks like “Luther” and the viral hit “Not Like Us,” there’s no better time to reflect on the greatest Kendrick Lamar songs of all time. These are the tracks that shaped conversations, challenged systems, and showcased his evolution from Compton prodigy to Pulitzer Prize-winning icon. So, which Kendrick Lamar songs truly define his legacy? It’s no easy feat to narrow down such a rich and transformative discography. Yet, after sifting through the storytelling, the wordplay, the cultural commentary, and the sonic evolution, we’ve compiled a definitive list of the 15 best Kendrick Lamar songs—ranked. Whether you’re a longtime fan who’s memorized every bar or a newcomer curious about why Kendrick Lamar is held in such high regard, this list is your perfect deep dive. From powerful protest anthems to introspective gems and experimental cuts, these tracks capture the essence of an artist who has never been afraid to challenge the status quo—or himself. Here are the top 15 best Kendrick Lamar songs ranked… #15. “Sing About Me (I’m Dying of Thirst)” (2012) Off good kid, m.A.A.d city, this 12-minute opus stands out as one of Kendrick Lamar’s most vulnerable storytelling tracks. It delves into themes of mortality, legacy, and the burden of being the voice of the voiceless. With its layered narrative and minimalistic production, it feels less like a song and more like a short film. #14. “Rigamortis” (2011) Before good kid, m.A.A.d city, Kendrick was already cooking heat. “Rigamortis” is pure technical wizardry—rapid-fire rhymes delivered over jazz-infused horns. More importantly, it proved early on that Kendrick Lamar wasn’t just another new rapper, but a force to be reckoned with. #13. “Ronald Reagan Era (His Evils)” feat. RZA (2011) Here, Kendrick revisits the aftermath of the Reagan years through the lens of Compton’s streets. Moreover, the social commentary runs deep, and his delivery is as gritty as the history it references. It’s easily one of the most politically charged Kendrick Lamar songs to date. #12. “King Kunta” (2015) A funky rebellion from To Pimp a Butterfly, “King Kunta” blends satire, bravado, and racial commentary. Additionally, Kendrick calls out the music industry and asserts his dominance with swagger and style. The beat slaps, and the message hits even harder. #11. “Untitled 05 | 09.21.2014” (2016) From untitled unmastered., this track proves that even Kendrick’s throwaways surpass most artists’ polished singles. With jazzy production and existential musings, it captures the raw, creative chaos of the To Pimp a Butterfly sessions. #10. “m.A.A.d City” feat. MC Eiht (2012) Chaotic, cinematic, and completely unfiltered, this is Kendrick Lamar’s musical diary entry from his days growing up in Compton. It’s full of tension, storytelling, and generational pain. Few Kendrick Lamar songs match this one’s visceral energy. #9. “Euphoria” (2024) One of Kendrick’s latest and most scathing songs, “Euphoria,” delivers sharp, menacing bars in his lyrical feud with Drake. It’s confident and cutting—another reminder that Kendrick’s pen is simply unmatched. #8. “A.D.H.D.” (2011) An early anthem for a lost generation, Kendrick critiques prescription pill culture, emotional detachment, and youthful confusion with a laid-back flow. This track highlighted his unique ability to turn societal issues into introspective, impactful bangers. #7. “Swimming Pools (Drank)” (2012) A haunting dive into alcoholism and peer pressure, wrapped in a club-friendly package, “Swimming Pools” showcases Kendrick’s brilliance in giving mainstream hits real meaning. This track is a perfect example of his ability to balance deep themes with infectious beats. #6. “HUMBLE.” (2017) With its infectious beat and iconic hook, “HUMBLE.” became one of Kendrick Lamar’s biggest commercial hits. But beyond the flex, it’s a cultural statement. From its commentary on beauty standards to its minimalist visuals, the track makes a lasting impact. #5. “Bitch, Don’t Kill My Vibe” (2012) One of the smoothest Kendrick Lamar songs ever made, it’s introspective, spiritual, and dripping with emotion. The track serves as both a personal mantra and a universal mood. #4. “Backseat Freestyle” (2012) Lyrical fireworks, “Backseat Freestyle” showcases Kendrick having fun while demonstrating his versatility and technical mastery. It’s chaotic, wild, and deeply entertaining, with bars that are still quoted years later. #3. “Money Trees” feat. Jay Rock (2012) Chill yet reflective, “Money Trees” remains a fan favorite. The hypnotic beat and standout feature from Jay Rock complement Kendrick’s verse about dreams, crime, and the pursuit of better days. The song masterfully blends poetry with power. #2. “Not Like Us” (2024) The ultimate moment in Kendrick Lamar’s 2024 takeover, “Not Like Us,” is a diss track with anthem-level energy. Produced by DJ Mustard, it’s witty, danceable, and devastating—a rare combo that only Kendrick could pull off so effortlessly. #1. “Alright” (2015) No Kendrick Lamar song has had the cultural resonance of “Alright.” Indeed, it became an anthem for the Black Lives Matter movement and a symbol of hope during protest and pain. From its Pharrell-produced hook to Kendrick’s passionate verses, “Alright” is not just the best Kendrick Lamar song; it’s arguably one of the most important songs of the 21st century. Whether you’re revisiting these tracks or discovering them for the first time, this list captures the essence of Kendrick Lamar’s artistry. His ability to balance commercial appeal with deep storytelling is unparalleled. From Section.80 to Mr. Morale & the Big Steppers, the best Kendrick Lamar songs reflect a legacy that is still unfolding—one unforgettable track at a time. Featured image: Getty Images For the latest in fashion, lifestyle, and culture, follow us on Instagram @StyleRave_ —Read Also !function(f,b,e,v,n,t,s) if(f.fbq)return;n=f.fbq=function()n.callMethod? n.callMethod.apply(n,arguments):n.queue.push(arguments); if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0'; n.queue=[];t=b.createElement(e);t.async=!0; t.src=v;s=b.getElementsByTagName(e)[0]; s.parentNode.insertBefore(t,s)(window, document,'script', ' fbq('init', '496558104568102'); fbq('track', 'PageView'); !function(f,b,e,v,n,t,s)if(f.fbq)return;n=f.fbq=function()n.callMethod? n.callMethod.apply(n,arguments):n.queue.push(arguments);if(!f._fbq)f._fbq=n; n.push=n;n.loaded=!0;n.version='2.0';n.queue=[];t=b.createElement(e);t.async=!0; t.src=v;s=b.getElementsByTagName(e)[0];s.parentNode.insertBefore(t,s)(window, document,'script',' fbq('init', '1453079628754066'); fbq('track', "PageView"); Source link

[chilimili212]

Kendrick Lamar is a generational voice whose songs carry weight far beyond the charts. With a career spanning over a decade, he has delivered some of the most impactful, introspective, and genre-defining music in hip-hop history. From his breakout mixtapes to Grammy-winning albums, every Kendrick Lamar project feels like a cultural moment crafted with intention and layered with meaning. Now, as he gears up for his National Grand GNX Tour and continues to dominate 2025 with standout tracks like “Luther” and the viral hit “Not Like Us,” there’s no better time to reflect on the greatest Kendrick Lamar songs of all time. These are the tracks that shaped conversations, challenged systems, and showcased his evolution from Compton prodigy to Pulitzer Prize-winning icon. So, which Kendrick Lamar songs truly define his legacy? It’s no easy feat to narrow down such a rich and transformative discography. Yet, after sifting through the storytelling, the wordplay, the cultural commentary, and the sonic evolution, we’ve compiled a definitive list of the 15 best Kendrick Lamar songs—ranked. Whether you’re a longtime fan who’s memorized every bar or a newcomer curious about why Kendrick Lamar is held in such high regard, this list is your perfect deep dive. From powerful protest anthems to introspective gems and experimental cuts, these tracks capture the essence of an artist who has never been afraid to challenge the status quo—or himself. Here are the top 15 best Kendrick Lamar songs ranked… #15. “Sing About Me (I’m Dying of Thirst)” (2012) Off good kid, m.A.A.d city, this 12-minute opus stands out as one of Kendrick Lamar’s most vulnerable storytelling tracks. It delves into themes of mortality, legacy, and the burden of being the voice of the voiceless. With its layered narrative and minimalistic production, it feels less like a song and more like a short film. #14. “Rigamortis” (2011) Before good kid, m.A.A.d city, Kendrick was already cooking heat. “Rigamortis” is pure technical wizardry—rapid-fire rhymes delivered over jazz-infused horns. More importantly, it proved early on that Kendrick Lamar wasn’t just another new rapper, but a force to be reckoned with. #13. “Ronald Reagan Era (His Evils)” feat. RZA (2011) Here, Kendrick revisits the aftermath of the Reagan years through the lens of Compton’s streets. Moreover, the social commentary runs deep, and his delivery is as gritty as the history it references. It’s easily one of the most politically charged Kendrick Lamar songs to date. #12. “King Kunta” (2015) A funky rebellion from To Pimp a Butterfly, “King Kunta” blends satire, bravado, and racial commentary. Additionally, Kendrick calls out the music industry and asserts his dominance with swagger and style. The beat slaps, and the message hits even harder. #11. “Untitled 05 | 09.21.2014” (2016) From untitled unmastered., this track proves that even Kendrick’s throwaways surpass most artists’ polished singles. With jazzy production and existential musings, it captures the raw, creative chaos of the To Pimp a Butterfly sessions. #10. “m.A.A.d City” feat. MC Eiht (2012) Chaotic, cinematic, and completely unfiltered, this is Kendrick Lamar’s musical diary entry from his days growing up in Compton. It’s full of tension, storytelling, and generational pain. Few Kendrick Lamar songs match this one’s visceral energy. #9. “Euphoria” (2024) One of Kendrick’s latest and most scathing songs, “Euphoria,” delivers sharp, menacing bars in his lyrical feud with Drake. It’s confident and cutting—another reminder that Kendrick’s pen is simply unmatched. #8. “A.D.H.D.” (2011) An early anthem for a lost generation, Kendrick critiques prescription pill culture, emotional detachment, and youthful confusion with a laid-back flow. This track highlighted his unique ability to turn societal issues into introspective, impactful bangers. #7. “Swimming Pools (Drank)” (2012) A haunting dive into alcoholism and peer pressure, wrapped in a club-friendly package, “Swimming Pools” showcases Kendrick’s brilliance in giving mainstream hits real meaning. This track is a perfect example of his ability to balance deep themes with infectious beats. #6. “HUMBLE.” (2017) With its infectious beat and iconic hook, “HUMBLE.” became one of Kendrick Lamar’s biggest commercial hits. But beyond the flex, it’s a cultural statement. From its commentary on beauty standards to its minimalist visuals, the track makes a lasting impact. #5. “Bitch, Don’t Kill My Vibe” (2012) One of the smoothest Kendrick Lamar songs ever made, it’s introspective, spiritual, and dripping with emotion. The track serves as both a personal mantra and a universal mood. #4. “Backseat Freestyle” (2012) Lyrical fireworks, “Backseat Freestyle” showcases Kendrick having fun while demonstrating his versatility and technical mastery. It’s chaotic, wild, and deeply entertaining, with bars that are still quoted years later. #3. “Money Trees” feat. Jay Rock (2012) Chill yet reflective, “Money Trees” remains a fan favorite. The hypnotic beat and standout feature from Jay Rock complement Kendrick’s verse about dreams, crime, and the pursuit of better days. The song masterfully blends poetry with power. #2. “Not Like Us” (2024) The ultimate moment in Kendrick Lamar’s 2024 takeover, “Not Like Us,” is a diss track with anthem-level energy. Produced by DJ Mustard, it’s witty, danceable, and devastating—a rare combo that only Kendrick could pull off so effortlessly. #1. “Alright” (2015) No Kendrick Lamar song has had the cultural resonance of “Alright.” Indeed, it became an anthem for the Black Lives Matter movement and a symbol of hope during protest and pain. From its Pharrell-produced hook to Kendrick’s passionate verses, “Alright” is not just the best Kendrick Lamar song; it’s arguably one of the most important songs of the 21st century. Whether you’re revisiting these tracks or discovering them for the first time, this list captures the essence of Kendrick Lamar’s artistry. His ability to balance commercial appeal with deep storytelling is unparalleled. From Section.80 to Mr. Morale & the Big Steppers, the best Kendrick Lamar songs reflect a legacy that is still unfolding—one unforgettable track at a time. 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